Models

digital versions of all final booklets no later than June 1

"Do not give a grade to a student who dies not submit their final book to you in both digital and analog form.
Nader and I expect digital versions of all final booklets no later than June 1."

Good luck!

Hello all - I hope you have all started printing!

Last year we had a rush on the printers and a mad scramble to get the work out of the computer. I suggest you print what you can and go back and replace what hasn't been completed.

We start at Noon tomorrow and each will have 45 minutes – 15 minute max presentation please.

I don’t have a particular order in mind so it’s up to you to organize. My only advice is those with big drawings – Ronny, Viet and maybe Michael should definitely plan for the hallway. I would like to try for only one pin up change mid way through the reviews so lets have at least 4 up to start.

Someone bring a camera (or even a video camera) and everyone take notes as best you can.

Good luck!

Professor,
Yesterday you had mentioned printing vellum.. Do you know where I could find that?

Re: [Amoia Cody Studio - NYIT Thesis - 2010-11] site model

I'm drawing a blank on the name, but dried floral arrangements. Michaels crafts should have them. You can bunch them up and even paint them

Robert Cody

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From: aseidel <aseidel@nyit.edu>

Date: Thu, 12 May 2011 11:58:07 -0700 (PDT)

To: <robertcody@optonline.net>

Subject: [Amoia Cody Studio - NYIT Thesis - 2010-11] site model

Professor,
Do you have any suggestions for how to show the trees in my site model?

--
Posted By aseidel to Amoia Cody Studio - NYIT Thesis - 2010-11 at 5/12/2011 02:57:00 PM

site model

Professor,
Do you have any suggestions for how to show the trees in my site model?

annual / daily use schedule

I was thinking about use throughout the year, based on religious program and the 2 major cropping seasons: rabi & kharif. Not sure how succesful this might be...

roof study

day center plans

still in progress.. starting to incorporate directional flooring and wayfinding techniques as researched in design 7

folk art interior

the face reads as a face, allowing light to shine between itself and the structure of the building;
the material grid on the outside face of the space is primary to an idea of space-weight then literal lines of the plan; for example:
to make something whole- the grid or joint lines can stagger in pattern, the outside;  its not bound by a orthogonal grid like here, the interior facade , where the orthogonal is bound to the interior structure, the interior organzation

folk art museum

the facade here is a face , not expressing the buildings structure but masking an idea of art and assembly

facade and its connection to the structure of the building

the salk facade are made of architectural concrete panels on a concrete structure.
facade is a face but its job to express an interior is beyond the places, it also expresses materiality of itself and or its structure.

salk facade lines

what is interesting- is the panels are almost like the way kahn treats interior wood panels;
there are edges or a frame to the panel  at the base, on the left; above on the next level: there is a base then the panels. And if you go around the plan you will see these expressions have a reason, generally to the idea of what kind of place and what is the base of the space... it is more then an understanding of a technology

site plan

trombe walls

passive solar adobe use

Fw: Naab Corrdor materials. Please complete removal.

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From: William Palmore <wpalmore@nyit.edu>

Date: Tue, 3 May 2011 12:29:07 -0400

To: Carl Hauser<chpas4955@verizon.net>; Anthony Disanto<adisanto@nyit.edu>; Alan Sayles<asayles@nyit.edu>; aiverson<between@mindspring.com>; alexdelaunay@gmail.com<alexdelaunay@gmail.com>; Amale Andraos<aandraos@work.ac>; joseph_gallinaro@yahoo.com<joseph_gallinaro@yahoo.com>; Jason O'Koren<jason.okoren@gmail.com>; cmish1011@gmail.com<cmish1011@gmail.com>; Paul Amatuzzo (ksrpja@aol.com)<ksrpja@aol.com>; Bren Galvez-Moretti<nonognat@gmail.com>; todd@idsrarchitecture.com<todd@idsrarchitecture.com>; gabriel fuentes(g_fuen@yahoo.com)<g_fuen@yahoo.com>; Joshua Davis (jd@ad-arch.com)<jd@ad-arch.com>; Angela Amoia (amoiaarch@aol.com)<amoiaarch@aol.com>; Frances Campani<fcampani@nyit.edu>; susanjanesloan@gmail.com<susanjanesloan@gmail.com>; mg@etal-collaborative.com<mg@etal-collaborative.com>; Maria Di Natale<mdinat01@nyit.edu>; SimaKunttas (skunttas@gmail.com)<skunttas@gmail.com>; Cc: William Palmore<lori@bentelandbentel.com>; egbert miles chu<e@attn-attn.com>; Robert Cody(codyarch@aol.com)<codyarch@aol.com>; Jonathan Friedman<lushlight@gmail.com>; mecumella@aol.com<mecumella@aol.com>

Cc: Matthias Altwicker<maltwick@nyit.edu>; Farzana Ghandi(farzanagandhi@gmail.com)<farzanagandhi@gmail.com>; Charles Matz<cmatz@nyit.edu>; jalayo@alayo.com<jalayo@alayo.com>

Subject: Naab Corrdor materials. Please complete removal.

Hello All,

 

As review time is upon us, please complete the removal of materials tacked up in the ground floor corridor.  Will have to done by 5:00 on Friday. 

 

What is left will have to be pulled down and disposed of.

 

Please pass the work and good luck with the last weeks of the semester.

 

Thanks,

 

Bill

Tuesday

All,

Please bring a list of drawings with the scale of the drawing and the size of the sheet. Everyone must have a complete site plan and a "complete" model by Friday. Let's do the same pin-up review as last Friday.

Individual notes:

What's needed for Friday.

Jing must have complete elevations and a large scale wall section.

Alina must have identification of building materials and larger scale drawings of the mosque - plans and sections with scale figures. Have you seen the flood in Missouri? Could your project work there?

Amanda must have a COMPLETE set of plans and sections. Good or bad - it really doesn't matter at this point.

Ronny must have plans and sections of the "community center" pool - gym - lockers.

George must have full size detailed plans, sections and elevations that are clear in their material and sustainable strategy.

Carlos must have detailed sections and each plan including the plaza with a clear structural system.

Viet must have complete drawings of the hospital and large scale sections of the resident rooms.

Michael just keep going, but concentrate on one plan, one section and one elevation so you can determine the level of detail required. The section that shows access under the street into the memorial is most important. Devise a way of showing the upper and lower plans of the site. Perhaps draw at small scale and have a blowup of the lower and street level plan on the same sheet?

Robert Cody